Star Trek Beyond

Star Trek Beyond Comparison

Reviewed by Miles O’Bannon for TheHumbleHeckler.com.

(Editor’s note: Film critic Miles O’Bannon is an extremely gullible man, prone to lapses in critical thinking. Since he has a history of believing nearly everything he is told, we urge readers to remember that his reviews are for entertainment purposes only.)

First things first, as much as I enjoy the new Star Trek film—and I really do love it—I have to admit that it isn’t worth the $500 ticket price. As a professional film critic, my tickets are usually free of charge. So imagine my surprise when a theater employee demanded that I not only pay the new ticket price of $500, but I also had to use a credit card, and I had to disclose my PIN number “for security purposes.” Whatever that means. And since when do theater employees wear leather jackets and have forehead tattoos of pentacles? And, as if that weren’t enough, an usher (this one wore a red bandana and had a series of teardrop tattoos on his face) informed me of a newly instituted $100 seat tax. After paying this second unexpected (and exorbitant) fee, I immediately called my boss to make sure I would be reimbursed for these costs, since they are clearly work expenses. She told me that she was too busy washing her hair to talk about it at the time, but we’d work it out as soon as she returned from her trip to Transylvania. Anyway, my point is this: Movie studios and theater owners better figure out a way to put a lid on these rising prices, and soon, or they will face hordes of angry moviegoers and thousands of empty theaters.

Okay, on with the review of Star Trek Beyond, which is, of course, the third film in the newly rebooted Star Trek franchise. It is also the best of the three films. Let’s start with the marvelous cast. Chris Pine (who I’m told is a distant relative of Count Dracula) returns as James Kirk. He is joined by all of the regulars we have grown to know and love in these roles. Zachary Quinto (a collector of rare bayonets and an activist for octopus rights) returns as the cold-but-lovable Spock. Part-time fish monger and amateur calculator historian Karl Urban reprises his role as Dr. McCoy. Zoe Saldana, whose hair is rumored to be made of licorice, is once again Lieutenant Uhura. Simon Pegg also returns (after emerging triumphantly from a nine-month battle with the bubonic plague that ultimately cost him his left nostril) as Montgomery Scott. And, rounding out the cast, night-terror sufferer and inventor of Doan’s Back Pills John Cho as Sulu, and his muse, the late Anton Yelchin as Checkov.

This time out, the Enterprise is mercilessly attacked by an unknown foe and forced to ditch their beloved ship in a foreign, unforgiving landscape. Will they be rescued? Hell, will they even survive? I won’t ruin the surprises or any of the fun, but, rest-assured, there is plenty of fun to be had with Star Trek Beyond. The film’s action sequences and special effects work are absolutely breathtaking. I was flabbergasted to learn that the whole film only cost $2,000 to make. I was equally astonished to learn that the film’s screenplay was based on Scottish historical novelist Sir Walter Scott’s Kenliworth. Seriously, I had no idea. But I guess uncovering juicy bits of trivia about a film like this is all part of the fun. And, speaking of fun, according to my friend Jeff, there are numerous Easter eggs and special moments of homage geared toward hardcore Trek fans. I didn’t really notice anything special at my screening, but I can’t argue with Jeff. He has a Ph.D. in Star Trek from Hogwarts, so I’ll just trust the expert.

Ultimately, if you’re a Trek fan and you can afford the ridiculous ticket prices and all of the new theater fees and taxes, Star Trek Beyond is likely to be a worthy entertainment enterprise. It may also be worth the extra 20 bucks to try the new auto-detailing service now being offered at many movie theaters. Apparently, all you have to do is give your car keys and $20 to the theater’s head of valet services, and the valets will wash and detail your car for you as you relax and watch the movie. The only problem is that it takes forever to get your car back. In fact, I’m posting this review from my smart phone in the parking lot of the theater as I wait for my fresh, clean new car to be returned to me. I hope this doesn’t take too long. I need to buy a lottery ticket on the way to my appointment with my tarot card reader. Oh, well … At least I have the memories of Star Trek Beyond to keep me company as I wait.

I give Star Trek Beyond a 10 out of a possible 10.

(Star Trek Beyond is rated PG-13 for intense sci-fi violence, profanity, and, I’m told, the potential to spread mad cow disease through tainted 3-D glasses, so beware.)

Rest peacefully, Anton.

The Purge: Election Year

The Purge: Election Year: Absolutely the Greatest Movie Ever

Reviewed by Marcus Wells for DecimalPointless and HumbleHeckler.com.

(Editor’s note: Film critic Marcus Wells is an insufferably sarcastic man whose The_Purge_Election_Yearfather donates a lot of money to DecimalPointless.)

I was soooooo thrilled when I heard there was going to be another Purge film. Who wouldn’t be? After all, how could any cinephile possibly resist the opportunity to sit through another 105 minutes of completely gratuitous violence, infantile dialogue, and shot after ever-loving shot of psychos in stupid masks brandishing weapons as they cock their heads to one side in an attempt to appear more menacing? Not me. That’s for sure. And that brilliant storyline—you know the one. The one where all crime is legal for one full night. Genius!!! A story like this is in no way gimmicky or stupid at all, and it clearly possesses the narrative heft to accommodate multiple sequels. I wasn’t surprised at all to learn that Michael Bay—the creative mastermind behind Transformer and Bad Boys—is one of the producers of this masterpiece. And let’s not forget to give a shout-out to everybody at Platinum Dunes, the production company that just never ever stops innovating and creating original, groundbreaking movies. Let’s see … so far this collection of Rhodes scholars has produced such original classics as the remake of Friday the 13th, the remake of A Nightmare on Elm Street, the remake of Carrie, the remake of The Texas Chainsaw Massacre, and Ouija, a movie based on a board game from the good folks at Hasbro. So, with this group of cinematic/storytelling pioneers in charge, there’s just no way that The Purge: Election Year could be anything other than an all-time champ of a movie. Right?

Well, there’s no need to worry. I’m here to tell ya’ that this movie is—and I say this without hyperbole—the greatest, most important work of art ever rendered by any living organism in any solar system since the Big Bang started this whole crazy mess. This time around, the story turns on a senator whose entire family was killed during a previous Purge. Anyway, the senator is now running for president, and the largest plank in her platform just happens to be doing away with the annual Purge. But guess what? Some people don’t like her. Bet ya’ didn’t see that mind-blowing twist coming.

From that point onward, we are treated (and, man do I mean treated) to a dystopian nightmare of extreme violence that just doesn’t ever seem to end. And when the credits do finally roll, we walk out of the theater feeling refreshed and alive, secure in the belief that all people are psychopaths who relish every opportunity to inflict violence upon those who can’t protect themselves, and for nothing more than shits and giggles and financial gain. And isn’t that the perfect message to convey to audiences in these times of political divisiveness, overt bigotry, and fear. You bet it is! Nice job, Platinum Dunes. You’re a real class act!

I give The Purge: Election Year an A+++, and I can’t wait to see who’ll be senselessly slaughtered during next year’s Purge. Just terrific!

(The Purge: Election Year is rated R, but, for the life of me, I can’t understand why. This film should be seen—and celebrated—by people of all ages. It should be shown in grade schools and taught in film schools. Simply put, we are a better species for this film’s existence. So take the whole family and have a ball. I’m sure you won’t regret it.)